Case study · CNE Color
Workflow coordination for high-end post-production.
At CNE Color, Felipe Kuschnir works in post-production workflow coordination, supporting the organization of processes, materials and deliveries under the leadership of Marcelo Perrone. The operation serves projects for major brands, festivals and national and international campaigns, combining post-production, editing and workflow evolution.
CNE Color Demo Reel
Featured projects from CNE Color’s portfolio
Rock in Rio 40 Years
Project from CNE Color’s portfolio.
The Town
Project from CNE Color’s portfolio.
SBC Summit
Project from CNE Color’s portfolio.
Prudential
Project from CNE Color’s portfolio.
Bradesco
Project from CNE Color’s portfolio.
Rock in Rio Piano
Project from CNE Color’s portfolio.
A selection from CNE Color’s portfolio. Credits and roles vary by project; Felipe Kuschnir’s work at CNE focuses on workflow coordination for the post-production operation. Banco do Brasil and Petrobras are also part of the portfolio presented by CNE, but the videos currently available on the production company’s website are private and therefore were not embedded here.
The partnership
Different formats, one shared post-production environment.
Working alongside CNE Color means taking part in projects with different languages, rhythms and technical needs. More than a collection of jobs, this continuity deepens the understanding of the editing process and the real challenges of a professional audiovisual operation.
Film
Participation in a feature film post-production workflow, as assistant editor to Marcelo Perrone.
Series content
Assistant editing on the second season of the web series Xeque-Mate.
Music videos
Participation in music projects with their own demands for rhythm, organization and finishing.
Automation
The partnership evolved into integrating DaVinci Resolve with artificial intelligence via MCP.
Feature film
Experience inside a film workflow.
Under the post-production coordination of Marcelo Perrone, Felipe Kuschnir worked as assistant editor on A Fábrica de Sonhos, a feature connected to Planeta das Gêmeas, a YouTube channel with 14.7 million subscribers. The project expands experience with a long-form work, with the narrative structure, organization and volume of material typical of a film workflow.
Role: Assistant editor to Marcelo Perrone
Web series
Xeque-Mate — season 2.
On the second season of Xeque-Mate, produced by Ponto Ação, a YouTube channel with 1.97 million subscribers, Felipe Kuschnir joined the post-production as assistant editor to Marcelo Perrone, who coordinated the work. The series format requires consistency between episodes, narrative continuity and organization to handle a recurring volume of material.
Role: Assistant editor to Marcelo Perrone
Music videos
Post-production in the world of music too.
The two music videos featured in this case were made for Rafa & Luiz, a YouTube channel with around 35 million subscribers. Under the coordination of Marcelo Perrone, Felipe Kuschnir worked as assistant editor on the projects, extending the partnership with CNE Color to music productions for a large-scale audience, where rhythm, performance and visual language play a central role.
Role: Assistant editor to Marcelo Perrone
Applied technology
From assistant editing to DaVinci Resolve automation.
The most recent stage of the partnership went beyond audiovisual execution. Building on practical knowledge of CNE Color’s workflow, an integration was developed to allow DaVinci Resolve to be operated with the help of artificial intelligence through MCP.
Process first
Automation starts from a real editing routine, instead of forcing technology where it doesn’t solve a concrete problem.
AI inside the workflow
MCP creates a bridge between AI models and DaVinci Resolve, opening possibilities for commands and contextual operational assistance.
How the partnership evolved
Understanding the process in order to improve it.
The arc of this case sums up a way of working we value: first take part in the process, understand its demands and limitations, and then look for ways to make it more efficient. That’s how a partnership based on assistant editing also came to involve developing automations for post-production.
Your project
Video, post-production and technology can be part of the same workflow.
Fang and Fang Frames bring together audiovisual, editing and new artificial intelligence tools to support production companies, agencies and teams that need to produce better and evolve their processes. See also Fang Agency’s work and Fang’s services.
Frequently asked questions
What is post-production workflow coordination?
It’s the organization of the processes, materials, stages and deliveries that move an audiovisual project forward consistently within post-production.
What is Felipe Kuschnir’s role at CNE Color?
Felipe works in workflow coordination for the post-production operation and, on specific projects, also as assistant editor to Marcelo Perrone.
How does artificial intelligence fit into this workflow?
The most recent evolution includes automating tasks in DaVinci Resolve through MCP, connecting AI to the real working environment without replacing the creative and technical coordination of post-production.
